Stroke Awareness
Jill Monture519.445.4779
Jill Monture519.445.4779
Denneil Annett519.445.2950
Shelley Elliott519.445.4411
Alyssa Higginson905.975.4467
Earla Hill226.227.2168
Lois Jonathan & Randi Garlow519.445.4085
Faye Johnson519.445.2084
Lynne Skye, Lil Wright519.445.4055
Dawn LaForme519.753.0665
Shirley Johnson519.445.2201
Tabitha Curley519.753.1950 x6420
Naomi Johnson519.759.2650
Jordan Anderson519.445.4054 x5121
Stamp Sheet Grand Prize Draw
Alyssa Higginson905.975.4467
Karen Bomberry519.445.2235
Tabitha Curley519.753.1950 x6420
Don’t forget the ghastly, ghoulish fun, fun, fun, Six Nations Zombie Walk/Run Sunday October 29, 2017 at 4 p.m. at Chiefswood Park Highway 54 and Chiefswood Road. All donations to CEJ Foundation.
Touring Production Opens Dialogue about Residential Schools Brantford – Sanderson Centre for the Performing Arts presents the acclaimed stage adaptation of the book Fatty Legs on Tuesday November 7 at 7:30 PM. The production tells the story of one young girl’s experience in Indian Residential School and is touring Southern and South-Eastern Ontario. Based on the book Fatty Legs by Margaret Pokiak-Fenton and Christy Jordan-Fenton with illustrations by Liz Amini-Holmes, the show retells Margaret’s true story, including the five-day journey from her home in the high arctic to the school, having her name changed by the nuns, and the itchy red wool socks a teacher made her wear as an example of her “unworthiness.” The socks make Margaret’s legs appear bigger than they were, and in turn make Margaret the
Sanderson Centre for the Performing Arts presents Buffy Sainte-Marie Showtime: Sunday November 12 7:00 PM Tickets: $55.00/$45.00 Portion of the proceeds are going to Save The Evidence. The Save The Evidence fundraising campaign was launched with the goal to raise the necessary funds for repairs and renovations to ensure the physical evidence of the dark history of Residential Schools in Canada is never forgotten. Buffy Sainte-Marie Buffy Sainte-Marie’s bold new album, Power in the Blood, begins where it all started more than 50 years ago, with a contemporary version of “It’s My Way,” the title track of her 1964 debut. Its message, about the road to self-identity and the conviction to be oneself, still resonates with the Cree singer-songwriter, activist, educator, visual artist, and winner of countless awards (Oscar, Juno, and